Silken prey
(Audio CD)
At 1:15 a.m, a Minnesota political fixer answers his doorbell. The next thing he knows, he's waking up on the floor of a moving car, lying on a plastic sheet, his body wet with blood. When the car stops, a voice says, "Hey, I think he's breathing," and another voice says, "Yeah? Give me the bat." And that's the last thing he ever knows. Lucas Davenport is investigating another case when the trail leads to the man's disappearance, then--very troublingly--to the Minneapolis police department itself, and then--most troublingly of all--to a woman who could give Machiavelli lessons. She has very definite ideas about the way the world should work, the money, ruthlessness, and sheer will to make it happen. No matter who gets in the way.
Notes
Sandford, J., & Ferrone, R. (2013). Silken prey. Unabridged. New York, Penguin Audio.
Chicago / Turabian - Author Date Citation (style guide)Sandford, John, 1944 February 23- and Richard. Ferrone. 2013. Silken Prey. New York, Penguin Audio.
Chicago / Turabian - Humanities Citation (style guide)Sandford, John, 1944 February 23- and Richard. Ferrone, Silken Prey. New York, Penguin Audio, 2013.
MLA Citation (style guide)Sandford, John and Richard Ferrone. Silken Prey. Unabridged. New York, Penguin Audio, 2013.
Record Information
Last Sierra Extract Time | Apr 27, 2024 06:07:37 AM |
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Last File Modification Time | Apr 27, 2024 06:10:44 AM |
Last Grouped Work Modification Time | Apr 27, 2024 07:58:35 AM |
MARC Record
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245 | 1 | 0 | |a Silken prey|h [sound recording] /|c John Sandford. |
250 | |a Unabridged. | ||
264 | 1 | |a New York :|b Penguin Audio,|c [2013] | |
264 | 4 | |c ©2013 | |
300 | |a 10 audio discs (approximately 12.5 hr.) :|b digital ;|c 4 3/4 in. | ||
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508 | |a Executive producer, Patti Pirooz ; produced and directed by John McElroy. | ||
511 | 0 | |a Read by Richard Ferrone. | |
520 | |a At 1:15 a.m, a Minnesota political fixer answers his doorbell. The next thing he knows, he's waking up on the floor of a moving car, lying on a plastic sheet, his body wet with blood. When the car stops, a voice says, "Hey, I think he's breathing," and another voice says, "Yeah? Give me the bat." And that's the last thing he ever knows. Lucas Davenport is investigating another case when the trail leads to the man's disappearance, then--very troublingly--to the Minneapolis police department itself, and then--most troublingly of all--to a woman who could give Machiavelli lessons. She has very definite ideas about the way the world should work, the money, ruthlessness, and sheer will to make it happen. No matter who gets in the way. | ||
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