The philosophy of modern song
(Audio CD)
Mirren, Helen, narrator.
Woodard, Alfre, 1953- narrator.
Goodman, John, 1952- narrator.
Zellweger, Renée, 1969- narrator.
Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition.
Notes
Dylan, B., Bridges, J., Mirren, H., Woodard, A., Goodman, J., Zellweger, R., Spacek, S., Buscemi, S., Isaac, O., Moreno, R., & Wright, J. 1. (2022). The philosophy of modern song. Unabridged. [New York], Simon & Schuster.
Chicago / Turabian - Author Date Citation (style guide)Bob Dylan et al.. 2022. The Philosophy of Modern Song. [New York], Simon & Schuster.
Chicago / Turabian - Humanities Citation (style guide)Bob Dylan et al., The Philosophy of Modern Song. [New York], Simon & Schuster, 2022.
MLA Citation (style guide)Dylan, Bob, et al. The Philosophy of Modern Song. Unabridged. [New York], Simon & Schuster, 2022.
Record Information
Last Sierra Extract Time | Mar 09, 2024 11:41:36 AM |
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Last File Modification Time | Mar 09, 2024 11:41:46 AM |
Last Grouped Work Modification Time | Apr 18, 2024 08:53:41 PM |
MARC Record
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520 | |a Dylan, who began working on the book in 2010, offers a master class on the art and craft of songwriting. He writes over sixty essays focusing on songs by other artists, spanning from Stephen Foster to Elvis Costello, and in between ranging from Hank Williams to Nina Simone. He analyzes what he calls the trap of easy rhymes, breaks down how the addition of a single syllable can diminish a song, and even explains how bluegrass relates to heavy metal. These essays are written in Dylan's unique prose. They are mysterious and mercurial, poignant and profound, and often laugh-out-loud funny. And while they are ostensibly about music, they are really meditations and reflections on the human condition. | ||
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