Black bodies, white gold: art, cotton, and commerce in the Atlantic world
(Book)
"Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework that centralizes the histories of the Black diaspora to nineteenth-century cultural production"--
Atlantic Ocean Region -- Commerce -- History -- 19th century.
Cotton growing -- Atlantic Ocean Region -- History -- 19th century.
Cotton in art.
Cotton trade -- Atlantic Ocean Region -- History -- 19th century.
Slavery -- Atlantic Ocean Region -- History -- 19th century.
Slavery in art.
Notes
Arabindan-Kesson, A. (2021). Black bodies, white gold: art, cotton, and commerce in the Atlantic world. Durham, Duke University Press.
Chicago / Turabian - Author Date Citation (style guide)Arabindan-Kesson, Anna. 2021. Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World. Durham, Duke University Press.
Chicago / Turabian - Humanities Citation (style guide)Arabindan-Kesson, Anna, Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World. Durham, Duke University Press, 2021.
MLA Citation (style guide)Arabindan-Kesson, Anna. Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World. Durham, Duke University Press, 2021.
Record Information
Last Sierra Extract Time | Mar 24, 2024 07:16:38 AM |
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Last File Modification Time | Mar 24, 2024 07:17:03 AM |
Last Grouped Work Modification Time | Mar 24, 2024 07:16:44 AM |
MARC Record
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245 | 1 | 0 | |a Black bodies, white gold :|b art, cotton, and commerce in the Atlantic world /|c Anna Arabindan-Kesson. |
263 | |a 2105 | ||
264 | 1 | |a Durham :|b Duke University Press,|c 2021. | |
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504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Circuits of Cotton -- Market Aesthetics: Color, Cloth, and Commerce -- Of Vision and Value: Landscape and Labor after Slavery -- Material Histories and Speculative Conditions -- A Material with Memory. | |
520 | |a "Using cotton-a commodity central to the slave trade and colonialism-as a paradigm, Black Bodies, White Gold presents new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth century Atlantic world. It models an art historical framework that centralizes the histories of the Black diaspora to nineteenth-century cultural production"--|c Provided by publisher. | ||
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