Longbourn
(Audio CD)
The servants at Longbourn estate, only glancingly mentioned in Jane Austen's classic, take center stage in Jo Baker's new novel. Here are the Bennets as we have never known them, seen through the eyes of those scrubbing the floors, cooking the meals, emptying the chamber pots. Our heroine is Sarah, an orphaned housemaid beginning to chafe against the boundaries of her class. When the militia marches into town, a new footman arrives under mysterious circumstances, and Sarah finds herself the object of the attentions of an ambitious young former slave working at neighboring Netherfield Hall, the carefully choreographed world downstairs at Longbourn threatens to be completely, perhaps irrevocably, up-ended. From the stern (but soft-hearted housekeeper) to the starry-eyed kitchen maid, these new characters come to life.
Notes
Baker, J., Fielding, E., & Austen, J. (2013). Longbourn. New York, N.Y., Random House Audio.
Chicago / Turabian - Author Date Citation (style guide)Baker, Jo, Emma. Fielding and Jane Austen. 2013. Longbourn. New York, N.Y., Random House Audio.
Chicago / Turabian - Humanities Citation (style guide)Baker, Jo, Emma. Fielding and Jane Austen, Longbourn. New York, N.Y., Random House Audio, 2013.
MLA Citation (style guide)Baker, Jo., et al. Longbourn. New York, N.Y., Random House Audio, 2013.
Record Information
Last Sierra Extract Time | Mar 04, 2024 02:09:32 PM |
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Last File Modification Time | Mar 04, 2024 02:09:53 PM |
Last Grouped Work Modification Time | Mar 27, 2024 09:06:23 PM |
MARC Record
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520 | |a The servants at Longbourn estate, only glancingly mentioned in Jane Austen's classic, take center stage in Jo Baker's new novel. Here are the Bennets as we have never known them, seen through the eyes of those scrubbing the floors, cooking the meals, emptying the chamber pots. Our heroine is Sarah, an orphaned housemaid beginning to chafe against the boundaries of her class. When the militia marches into town, a new footman arrives under mysterious circumstances, and Sarah finds herself the object of the attentions of an ambitious young former slave working at neighboring Netherfield Hall, the carefully choreographed world downstairs at Longbourn threatens to be completely, perhaps irrevocably, up-ended. From the stern (but soft-hearted housekeeper) to the starry-eyed kitchen maid, these new characters come to life. | ||
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